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Borderliners

Redigeret af Per Krogh Hansen

kr. 268,00   

ISBN 978-87-7332-301-4, 280 sider, Paperback, 2009.


Judging from the developments that narrative studies have undertaken in recent times, one might get the idea that everything is narrative; if not as full-blown stories, then at least potentially in the form of ‘narrativity’ – that is, possessing the ability to evoke a narrative script in the mind of the recipient. But if so, can we then still distinguish the non-narrative from the narrative? And what are we, as


narratologists, to do with ‘borderline cases’:texts which only scarcely can be considered narrative. These questions serve as guiding lines for the studies collected in this volume.

This book is vol. 3 of the series 'Writings from the Center for Narratological Studies, University of Southern Denmark.'

Also available as eBook: Borderliners [eBook]





Indhold
Side 9 - Per Krogh Hansen: »Introduction«
Side 19 - Lars-Åke Skalin: »Centres and Borders: On Defining Narrativity and Narratology«
Side 77 - Jon Helt Haarder: »Fabula og sjuzhet i humanvidenskabernes diskurs«
Side 89 - Marianne Horsdal: »Brain Science: The Implications for Biographical Learning and Narrative Research«
Side 101 - Jørgen Holmgaard: »Det narrative og det lyriske«
Side 121 - Anne Borup: »Fortælling forbudt«
Side 157 - Pär-Yngve Andersson: »Paradoxernas konst: Tankar om lyriska romaner«
Side 173 - Henrik Jørgensen: »On the Narrative Structures in Some Texts by Thomas Kingo«
Side 197 - Greger Andersson: »Theology on the Borderline of Narrative«
Side 219 - Erik van Ooijen: »Projects and Projections: On Focus and Perspective in Drama«
Side 239 - Henrik Jørgensen: »Narrative strukturer i barokoperaer«
Side 263 - Per Krogh Hansen: »Prolegomena: On Film Musicals and Narrative«
 
   
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